On your signal is an exploration of the present through gestures immanently within a room and simultaneously tuned into its outside. Through the interplay of drums, microphone feedback, and radio frequency reception, the piece grapples with what it means to carry the weight of the present in our day to day movements around the spaces we occupy. Listening for the acoustic resonances of our immediate environs, overlayed with regional and global broadcasts, the piece reaches for an improvisatory field that can be startling, surprising, sometimes comforting, and often terrifying. The use of microphone feedback here is conceptually inspired by Fred Moten and Stefano Harney’s description of ownership as a kind of “feedback loop - the more you own the more you own yourself” (All Incomplete 16-17). When thought of alongside Moten and Harney, playing with feedback, which can amplify itself to excruciating levels if not intervened upon, becomes more than simple sonic play. It brings us to ask: to what extent do our libidinal investments in gradations of ownership feedback into our daily performances of being? What would it mean to tamper with them, in a room full of the outside, in an effort to dissipate their capacity to harm? How can a practice of opening ourselves up to possibilities beyond our “selves” help us mitigate these loops of feedback as self-ownership?